دانلود آموزش نحوه تقابل کاراکتر در Maya

عنوان دوره : Digital Tutors – Character Interaction in Maya

سطح : متوسط

زمان کل دوره : 5 ساعت و 8 دقیقه

تعداد فایل های تصویری : 35

سال آموزش : 2012

فایل تمرینی : دارد

مربی دوره : Delano Athias

نرم افزار : Maya 2012

زیرنویس : ندارد

Digital Tutors – Character Interaction in Maya

In this Maya tutorial, we will learn how to animate a multi-character interaction with time-saving techniques. We’ll first explore the planning phase of this project, and then dive right in and built the performance from start to finish, learning skills that can be applied to any character. We’ll also create very simple but useful MEL scripts to select controls faster, discuss the benefit of choosing suitable rotation orders for control objects, and learn ways to overcome gimbal lock interpolations. By the end of this tutorial, you will have attained the set of skills needed to animate fun and believable character interactions.

1. Introduction and project overview
2. Planning the animation
3. Getting familiar with the animation rigging
4. Setting up the scene and starting the blocking pass
5. Roughing in the villain’s initial attack
6. Finalizing the blocking in of the villain’s attack
7. Animating the villain’s fall
8. Roughing in the villain flying back after the strike
9. Continuing the villain’s fall
10. Wrapping up the villain’s extremes
11. Double-check the villian’s timing and adding a breakdown pose
12. Starting on the heroine’s animation
13. Adding anticipation to the heroine’s counter attack
14. Animating the counter-attack
15. Following through from the counter-strike
16. Finalizing the heroine’s blocking pass
17. Starting on the villain’s polish pass
18. Finishing the beginning of the villain’s animation
19. Refining the upper body of the villain as she falls
20. Tweaking the villain’s legs as she falls
21. Polishing the arms as the villain falls
22. Wrapping up the villain’s upper body
23. Finishing our work on the villain’s head
24. Finalizing the villain’s legs
25. Completing the villain’s left arm
26. Wrapping up the villain
27. Smoothing out heroine’s performance
28. Refining the first section of the heroine’s animation
29. Finishing the first section of the heroine
30. Polishing the counter-attack
31. Finalizing the last section of the heroine’s performance
32. Adding follow-through to the heroine’s torso
33. Animating follow-through in the heroine’s left arm
34. Adding follow-through to the heroine’s right arm
35. Finalizing the heroine and completing the project