آموزش ساخت پلان رنگی برای انیمیشن و بازی بخش دوم

عنوان دوره : Ty Carter – Session 9 Color Script Part 2

سطح : متوسط

زمان کل دوره : 4 ساعت

تعداد فایل های تصویری : 3

سال آموزش : 2021

فایل تمرینی : دارد

مربی دوره : Ty Carter

نرم افزار : Photoshop

زیرنویس انگلیسی : ندارد

Ty Carter – Session 9 Color Script Part 2

-3 Structured HD Video Tutorials with commentary, annotations, and detailed process demonstration: Part 2 Color Keys A (80 min.), Part 2 Color Keys B (90 min.), and Anatomy of a Color Key Masterclass (71 min.)!!

-Crash course for using photoshop to create color keys

-In depth Explanations and demonstrations on photoshop tools used for painting, including: Hue/Saturation/Brightness adjustments, Color Balance, Levels, Blur types, Lasso Tools, Selection Saving, Pen tool and much more!

-Approaches for designing light shapes

-Creating transitions and options for presentations

-Translating complex geo into basic shapes

-Professional techniques and processes

-In depth Explanations and demonstrations on color design process, color scripting approach, color theory and step by step instruction

-Professional techniques and processes

– Full Res Images (9 JPGs)

– Raw PSD File, including all layers!!! (9 PSD Files)

– Timelapse Video showing all part 2 keys (.MOV)

You’ll learn:

-to build a color script

-to take advantage of all photoshop has to offer

-to work more efficiently

-to give variety and appeal to your work

-to effectively modify or articulate specific notes from a director

-to approach your keys with more forethought and preparation

-to manipulate inherent emotions in color

-to preserve temperature

-to incorporate symbols into your work

-to create campfire, torch, and artificial lights

-to efficiently use Photoshop tools to build color keys

-to organize brushes

-to design light shapes

-to paint moonlight and night sky

-to render shadow occlusion

-to paint large scale architecture

-understand and utilize relative colors

-to paint with active and passive color

-to paint different times of day

-to build up a focal point

-to light a scene using an off screen light source and shadows

-to avoid tangents and tension points

-to create rhythm/balance within your work

-to push atmospheric perspective

-to add scale and depth to a scene

-to suggest detail without overworking

-to paint architecture

-to utilize photographs as a basis for starting a key

-to push your warms and cools

-to build depth in a scene

-to build atmospheric perspective inside a closed environment

-to wrap forms using temperatures

-to design and pool light

-to render complex shapes

-to retain vivid colors from rough to finish

-to add final touches using modes and PS adjustment layers

-to break forms into simplified shapes

-to translate complex shapes into simple paintings