آموزش ساخت صحنه‌های جلوه‌های ویژه سینمایی در هودینی

عنوان دوره : Independence Day – Production procedure of a movie VFX scene using Houdini

سطح : تمامی سطوح

زمان کل دوره : 9 ساعت و 53 دقیقه

تعداد فايل ها : 43 (1080p)

سال آموزش : 2026

فایل تمرینی : دارد: ABC (2)، EXR (11)، FBX (1)، GIZMO (1)، HDR (1)، HIP (112)، JPG (10)، MA (1)، MAX (1)، MB (1)، MTL (2)، NK (1)، NK~ (1)، OBJ (6)، PNG (10)، PY (2)، PYC (1)، SC (1)، SWATCH (38)، SWATCHES (1)، TGA (56)، TIF (10)، TXT (3)

مربی دوره : Irene Zheng

نرم افزار : Houdini, Nuke

زیرنویس انگلیسی : ندارد

Independence Day – Production procedure of a movie VFX scene using Houdini

Want to build a shot that feels straight out of Independence Day: Resurgence? This tutorial walks you through the full job in Houdini, from gathering references to Pyro sims, Ocean work, and final comp in Nuke.
🎯 What you’ll learn

How to find and break down movie references for a VFX shot
How to import maps into Houdini correctly and set up your scene scale
Core VFX basics for planning large-scale destruction
How to build and art-direct Pyro explosions and smoke
How to set up and simulate Ocean for interaction shots
How to assemble render passes and finish the shot in Nuke

✅ Requirements

Skills: Basic familiarity with Houdini interface and node-based workflow
Tools: Houdini FX or Indie, Nuke for compositing
Hardware: Multi-core CPU, 16GB+ RAM, dedicated GPU for Pyro and Ocean sims

📝 Description

This is not a button-by-button copy of the movie. It is a production-style rebuild. You start with what real FX artists start with: references. Irene shows how she picks them apart, what to look for in scale, motion, and timing, and then how to get your maps and assets into Houdini without scale or orientation headaches.

From there it gets into the meat. You will set up Pyro for big, slow-moving destruction smoke and punchy explosions, and learn how to keep sim times sane while still getting that heavy blockbuster look. Then it is Ocean tools for the water side of the shot — displacement, interaction, and how to layer sims so fire and water actually sit in the same world.

To finish, everything goes to Nuke. No fancy one-click grade. You will stack your render passes, fix edges, match black levels, add atmosphere, and push the comp until the CG stops looking like CG. Short, practical, and focused on decisions you will reuse on any film-style shot.